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随着屏幕技术的发展,西方学者对运动影像的研究逐渐从电影研究领域拓展到屏幕研究领域。其中,马克.汉森的“虚拟现实”论为后科技时代屏幕文化研究提供了新的思考维度。汉森对当代“屏幕”经验中的“身体”进行重新认识,反复强调“身体”与生俱来或者后天赋予的感官感知能力的客观存在。他将观众的“身体”的身份与意义重新提上屏幕经验研究的议题程序中,这是对后现代互动屏幕对观众“身临其境”的感触体验的重要推进。
With the development of screen technology, the research on the moving images of western scholars gradually extends from the field of film research to the field of screen research. Among them, Mark Hansen ’s “Virtual Reality ” theory provides a new thinking dimension for screen culture research in post-technology era. Hanson re-cognizes “body ” in contemporary “screen ” experience and repeatedly emphasizes the objective existence of the sensory perception inherent in “body ”. He reintroduced the identity and meaning of the viewer’s “body” to the topic program of the screen empirical research, which is an important advance for the post-modern interactive screen to experience the audience “immersively”.