温德青《小白菜:为二胡与弦乐四重奏而作的变奏曲》的创作方法与典型的“变奏”手法不同,作品先出现6个变奏,先后、分别以河北民歌《小白菜》中的6个小节的“音程涵量”为基础,运用“固定音程”的技法构成,然后才是“原始”民歌主题的完整出现。《变奏曲》的整体结构乃是情绪结构、组织结构、音响结构等三种相互依存、不可分割的统一体。 Different from the typical “variation” technique, Wen Deqing’s “Cabbage: A Variety for the Erhu and String Quartets” is composed of six variations first, and then, respectively, in six sections of Hebei folk song “Chinese cabbage” Based on the “sound volume”, the use of “fixed-tone” techniques constitute, and then is the “original” theme of the complete emergence of folk songs. The overall structure of “Variations” is an interdependent and indivisible unity of emotional structure, organizational structure and sound structure.