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中国的山水画和西方的风景画都在世界美术史上占有极其重要的地位。二者发展历程近似,都以自然风光为描绘对象,致力于对客体的美的发现与主体的认识、理想、情感的表达相结合;其精神核心都是对自然的关注和对人文的关怀。20世纪初,西方的风景画传入我国后,对我国山水画的创作产生了巨大影响。特别是改革开放以来,在东西方两种艺术形式的熏陶下,中国油画风景画正呈现出一种多元化的发展趋向——一方面继续保持着西方绘画中正在消失的写实性;另一方面不论在写实或别的样式、风格的油画创作中,含有明显的“中国味”。
Both Chinese landscape paintings and western landscapes play an extremely important role in the world art history. Both of them have a similar development course. They all use the natural scenery as the portrayal object and are devoted to combining the discovery of the object with the cognition, ideal and emotion expression of the subject. The spiritual core of the object is both the concern for nature and the concern for humanity. At the beginning of the 20th century, the introduction of western landscape paintings into our country exerted a great influence on the creation of Chinese landscape paintings. Especially since the reform and opening up, under the influence of the two art forms of East and West, the landscape painting of China is showing a diversified development trend - on the one hand, the disappearing realism in western painting is maintained; on the other hand No matter in realistic or other style and style of oil painting, it contains obvious “Chinese flavor”.