王船山论诗注重诗歌的音乐性,诗歌中的情感节奏是船山“以乐论诗”过程中的重要一环。在论及诗歌中情感运行状态时,船山经常提及的“声情”说、气论,以及注重“敛纵”、“忍势”、“收放含吐”的诸多诗歌评语,从不同的层面论述了诗歌的情感节奏。船山所推崇的诗歌情感节奏,暗含“韬束不迫,骀宕不奔”的含蓄美特征,是对诗教、乐教传统的审美展开。 Wang Chuanshan’s poems pay attention to the musical nature of poetry. The emotional rhythm in poetry is an important part in the process of “poetry of music”. When it comes to the state of emotional operation in poetry, Chuanshan often refers to the “sound and emotion” theory, the theory of qi and the emphasis on “convergence”, “endurance”, “ Many poetry reviews, from different levels discussed the emotional rhythm of poetry. The rhythmical rhythm of poetry espoused by Chuanshan implies the implicit beauty features such as ”Tao does not force, ups and downs", which is the aesthetic development of the tradition of poetry education and music education.