“百戏”是汉代一种独特的文化,可通俗地理解为杂技,但却不是现代意义上的杂技。在汉代中外文化交流频繁的时代背景下,“百戏”以它独特的方式向人们诉说着它在中外文化交流中所处的地位。在文中,笔者通过搜集有关汉代“百戏”的画像石、画像砖等图像资料,对其中所表现出的外来文化因素进行相关研究。 “Bai Xi ” is a unique Han culture, can be generally understood as acrobatics, but not in the modern sense of acrobatics. Under the background of times of frequent cultural exchanges between China and other countries in the Han Dynasty, “Hundred Opera” tells its people its position in the cultural exchanges between China and foreign countries in its unique way. In this article, the author conducts a related research on the foreign cultural factors in the Han Dynasty by collecting the image materials of the portrait stone and the portrait brick of the Han Dynasty.