在现代交响乐团里,中提琴 vialo 始终是一个不起眼的角色。在很长一段时间,作曲家习惯让 vialo 坐在“替补席”上,只有很少的上台机会。直到18世纪中后期,中提琴才在交响乐团中确定了自己的位置。在以后的岁月中,中提琴被引入室内乐组合,开始担任较为重要的声部表现。不过即便如此,职业的中提琴演奏家要到本世纪初才刚刚出现,而一直到今天,中提琴依旧不被看作是一件适宜单独演奏的乐器,瓦格纳更称之为“虚弱小提琴手的避难所”。 In the modern symphony orchestra, viola vialo has always been a humble role. For a long time, the composer used to let vialo sit on the “bench”, with very little chance to come to power. It was not until the middle and later of the eighteenth century that the viola established itself in the symphony orchestra. In later years, the viola was introduced into chamber music and began to play a more important part of the performance. Even so, the professional viola is only just beginning to appear in the beginning of this century. Until now, the viola is still not regarded as an instrument suitable for solo performance. Wagner also calls it “the refuge of weak violinists By ”.