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随着中国文化工业时代的到来,阿多诺文化工业理论已然成为分析与解读中国正在兴起的大众文化热潮的重要理论资源。毋庸置疑,阿多诺对于大众文化标准化的生产模式,以及在其影响之下艺术创作个性的泯灭和文化大众被动受控状态的批判依然让人警醒,启人深思。然而,大众文化作为一种全球性的文化现象,在当代中国的兴起是社会发展的需求和时代进步的必然,只要善于挖掘大众文化标准化生产的正面价值,培育大众文化在中国发展的艺术气息,积极发挥文化大众的能动作用,相信中国大众文化一定会沿着更加健康、规范、高质的良性发展道路前进。
With the advent of the era of Chinese cultural industry, Adorno’s theory of cultural industries has become an important theoretical resource for analyzing and interpreting the rising popularity of mass culture in China. Undoubtedly, Adorno’s vigilance and enlightenment on the production mode of mass culture standardization, as well as the destruction of art creation personality and the passive controlled state of cultural mass under the influence of Adorno, are undeniable. However, as a global cultural phenomenon, the rise of popular culture in China is the necessity of social development and the progress of the times. As long as it is good at digging the positive value of standardized production of popular culture and cultivating the artistic atmosphere in which popular culture develops in China, We must give full play to the initiative of the cultural public and believe that the Chinese popular culture will certainly move forward along the path of healthier, more standardized and better-quality development.