一、引言源于西方摹仿论的理念,媒介的再现性成为艺术表达上不言自明的最高追求。在小说写作方面,这种观念体现在抬高描写与对话的价值、贬抑讲述,而对于摄影来说,则因其在再现性上优于绘画而被一再强调。好在现代的西方理论家们早已认识到“我们对图像的认知越发伴随着对其真实性的质疑……我们越是设法相信接近了现实,我们就越是认识到这种努力是不可能实现 First, the introduction stems from the concept of Western imitation theory, the reproducibility of the media has become the art of self-evident pursuit of the highest. In fiction writing, this notion manifests itself in raising the value of depictions and dialogues, derogating from narration, and, in the case of photography, being repeatedly stressed for its reproducibility over painting. It is true that modern Western theorists have long recognized that ”our perception of images grows more and more complicated with questioning their authenticity ... The more we try to believe in the reality, the more we realize that such efforts are not May be achieved