在中国书法艺术发展史上,各种哲学思想都对书法艺术产生过深远的影响,尤其以“中和”美学思想最为重要。无论是儒家还是道家,都深刻地阐明了“中和”思想的文化指导性,书法艺术在传统文化的范围内自然受到儒道二家哲学思想的观照。本文从书法发展史的角度梳理了“中和”美学思想在书法艺术中的具体体现。 In the history of the development of Chinese calligraphy, all kinds of philosophical thoughts had a profound influence on the art of calligraphy. In particular, the aesthetic ideas of “neutralization” were the most important. Both Confucianism and Taoism profoundly expounded the cultural guidance of “Zhonghe ” thought. In the traditional culture, calligraphy art is naturally under the consideration of two Confucianism and Taoism philosophy. This paper combs the concrete manifestation of “Neutralization ” aesthetics in calligraphy from the perspective of the history of calligraphy.