在古代中国和朝鲜的乐律学论著中都有关于律吕和宫调的图解,这些图解对于现代人研究古代乐律亦有一定的参考价值。但自童斐《中乐寻源》起,若干音乐论著把古代宫调图中原本置于下方的“黄钟”改置于上方,于是就造成了左旋、右旋和顺旋、逆旋相配时的错位。这种不合古代图式的错位似应修正。 In ancient China and North Korea, the law of music studies both contain illustrations of Lu and Gong Mi, which are also of some reference value for the modern study of ancient music. However, since Tetsuo Fei’s “Source of Chinese Music”, several musical works have changed the “Huangzhong” originally placed underneath the ancient palace tone map to the top, resulting in a combination of left-hand rotation, right-handed rotation, and clockwise rotation. dislocation. This disagreement with the old schema should be corrected.