凡属做学问,先要下定义。伪学问也不例外。段子说穿了是笑料,形式是一小片一小片的(反正没看见谁拿长篇小说作段子)。据本人观察发现,段子大致分为两种:故事性的和言语性的。前者情节异常霆出,后者形式复杂,常常将中文的比喻、拟人、反讽不可思议地操捏。 早年讲段子叫吸收新知,中期讲段子是脸皮不薄,现今讲段子高手如云,不同的段位区别大了。传统意义上的段子高手,相声演员是也,“说、学、逗、唱”的基本功扎实,还兼顾社会教化的功能。—般公认的“段子大家”,所到之处,引起轰动,一大群人围着问今天说什么,再看大师,笑而不答,左右言它,让人心急火燎。段子老手深谙其道,故身边人 All are learning, first to define. Pseudo-learning is no exception. Speaking of pieces is a joke, the form is a small piece of (anyway, did not see who took the novel as a passage). According to my observation, there are basically two kinds of paragraphs: narrative and verbal. The former plot anomalies Ting, the latter in the form of complex, often Chinese metaphor, anthropomorphic, ironic incredible manipulation. In early years, he was called to absorb new knowledge, and in the medium term, his speech was subtle. Nowadays, there is a big difference between different sections. Traditional masters of the stage, crosstalk actors are also, “say, learn, amuse, sing,” the basic skills solid, but also take into account the function of social enlightenment. - Generally recognized as “Everybody,” Wherever he went, caused a sensation, surrounded by a large crowd asking what to say today, look at the master, laugh and not answer, about it, people anxious. Duan Zi veteran understands, so people around him