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中华书卷艺术源远流长,滚滚流动着中华上下5000年人民的智慧。我们应怀着敬畏谦卑学习的态度对照着古人做书的进取意识,深究其传统精髓,脚踏实地地做好书籍设计,传承好我们的功课。探究书籍设计的传统和现代,不能用孤立的态度,传统不是模式化的复制,传承也不是招摇过市的口号,我们应寻找现代语境下具有时代精神的新模式。一本好的书籍设计必然形式上也是美的,正如《论语·雍也》:“质胜文则野,文胜质则史,文质彬彬,然后君子。”在“世界最美的书”里面,书籍的外包装和外观首先能使爱书者印象深刻,成为该书的最大亮点。本文通过对包装设计的理念结合书籍本身的特点浅谈《海上钢琴师》。
Chinese scroll art has a long history, billowing flow of Chinese wisdom of 5,000 people up and down. With an attitude of reverence and humility, we should control the ancients’ awareness of progress in our book, study the essence of their traditions, do a good job of designing books, and carry forward our homework. To explore the tradition of book design and modernity can not be used in an isolated manner. Tradition is not a copy of a pattern. Inheritance is not a slogan to swagger the city. We should look for a new model with the spirit of the times in the modern context. A good book design is bound to form the United States, as “Analects of Confucius Yong also”: “quality wins Wen Zeye, wensheng quality history, gentle, and gentleman. ” In “the world’s most beautiful book ” inside , The book packaging and appearance of the first to make the book is impressive, as the book’s biggest bright spot. In this paper, the concept of packaging design combined with the characteristics of the book itself on “Pianist at sea.”