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中世纪时期的绘画作品内容单一,风格简单,模式化。只是作为一种为满足宗教需要而存在的艺术。体现出中世纪神权社会背景下,人的卑微与渺小。14世纪至16世纪,以意大利为首兴起了一场轰轰烈烈的影响整个欧洲和西方文艺发展史的文化艺术复兴运动,史称“文艺复兴”。文艺复兴首要的任务是张开眼睛看人以及人所处的世界。在人文主义思想的影响下,要求文艺要表现人的思想和情感,其真正意义在于“人”被推倒了第一位,与神之间产生了对立,开始用人的眼光来观察、审视世界,来诠释和表达艺术。绘画艺术在此期间得以蓬勃发展,同时也促进了绘画理论的形成。像这一时期众多艺术家一样,著名的天才艺术家达·芬奇也借助宗教、神话题材来对人本主义思想和人文精神内涵加以诠释和解读。针对文艺复兴时期达·芬奇的绘画艺术作品,本文将其画作与中世纪时期的绘画相比较,用图像文本系统的探讨与分析在其绘画作品中如何以世俗的形式对宗教势力进行斗争。通过分析,揭示出达·芬奇绘画作品中所隐藏的世俗性情结,所饱含的人性光辉。
The works of medieval paintings were single, simple in style, and modeled. Just as a kind of art to meet the religious needs. Reflects the medieval theocracy under the social background, the humble and insignificant. From the 14th to the 16th century, with the rise of Italy, a vigorous cultural and artistic renaissance that had a dramatic influence on the history of European and Western literary and art development was called “the Renaissance.” The first task of the Renaissance is to open the eyes to see people and the world in which they live. Under the influence of humanism, the real meaning of requiring art to express one’s thoughts and emotions lies in the fact that “Man ” has been overthrown by the first person, and has contrasted with God and has begun to look and examine people’s eyes World, to interpret and express art. Painting art flourished during this period, and also promoted the formation of painting theory. Like many artists of this period, famous genius artist Leonardo da Vinci interpreted and interpreted the connotation of humanism and humanistic spirit with the help of religious and mythological themes. In the light of Renaissance Da Vinci’s paintings, this paper compared his paintings with the paintings of the Middle Ages, explored and analyzed in his works of painting how the religious forces were struggled in the form of images with textual systems. Through analysis, it reveals the humanity glorious contained in the secular complex hidden in Leonardo da Vinci’s paintings.