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西藏文学一直在中国当代文学地理版图中占据重要地位,但对于该题材领域的文学审美形态和价值评判,也存在着诸多争议,这也反映了宗教情绪、民族认同、地域性、现代转型等诸多问题在西藏文学的独特纽结。从20世纪80年代扎西达娃和马原的先锋书写,到马建的小说《亮出你的舌苔或者空荡荡》,乃至90年代阿来、范稳等作家的创作,常引发文学界的热烈争论。比如有的藏族文学研究者对持汉语写作的藏族作
Tibetan literature has always occupied an important position in the geographical map of contemporary Chinese literature. However, there are still many controversies about the literary aesthetic form and value judgments in this subject area, which also reflect many aspects such as religious sentiment, national identity, regional characteristics and modern transformation The unique knot of the problem in Tibetan literature. From the writing of pioneers Zhaxi Dawa and Ma Yuan in the 1980s to the creation of Ma Jian’s novel “Showing Your Tongue or Being Empty,” and even the author Ala Mo, Fan Wen and other writers in the 1990s, it often aroused the enthusiasm of literary circles debate. For example, some Tibetan literature researchers in Tibetan writing for Chinese