小提琴“半音模进式”琶音练习。是用每提高半个音变一个调的方法,即以每半个音就是一个把位的观念来演奏十二个调八种琶音。它们分别是降A调、A调、降B调、B调、C调、降D调、D调、降E调、E调、F调、降G调、G调。以熟练掌握一、四指在两条弦上的八度框架为核心目的。这是对以往琶音练习的补充,非常实用。共分十二次介绍给大家。上一期介绍了降E调。这次将介绍E调。因把位相同、指法相同,所以同时介绍B调和升F调一个八度的琶音,另有E调两个 Violin “Semitone mode ” Arpeggio practice. Is a method of raising one tone for each half-tone, that is, using a concept of half-tone for each of the twelve tones to play twelve arpeggios. They are the lower A, A, B, B, C, D, D, E, E, F, G, G. Proficiency in one or four fingers in the two octaves frame as the core purpose. This is a supplement to the previous Arpeggio exercises, very practical. Divided into twelve times for everyone. Described in the previous period down E tune. This time will introduce E tune. Because of the same bit, the same fingering, so at the same time introduced B harmonic F-up an octave one octave, and another two E