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梅里的《佛耳山歌》以乡土世界为写作对象,书写了中国现代化进程中乡村的变革。乡村世界在改革进程中经历了重重考验,利益面前人性的自私,村干部观念的落后,特别是农村弱势群体——失地村民面对改革的无所适成为阻碍农村发展的障碍。作家在提出问题的时候也部分解决了问题:新一代大学生村官的崛起、村民心中新的信仰体系的建立:白玉佛与长城的精神力量等等让乡土世界重获宁静。
Meri’s “Buddha’s Ear Song” is written in the native-world and writes about the rural transformation in the process of China’s modernization. The rural world has undergone many tests in the process of reform. The selfishness of human nature before the interests and the backwardness of the concept of village cadres, especially the disadvantaged groups in rural areas, are the obstacles to the development of rural areas. The writer also partially solved the problem when asking questions: the rise of a new generation of college-educated village officials, the establishment of a new belief system in the villagers’ minds: the spiritual power of the White Buddha and the Great Wall, and so on, restoring the peace to the local world.