继《孔雀》后顾长卫第二部独立执导的影片《立春》问世,影片彰显的是一个个孤独又纠结的中小城市的另类,因了对音乐、美术、舞蹈等艺术的钟情爱好,总想出类拔萃,于是屡战屡败、屡败屡战,结局是绝大多数回归庸常。与其说这是一部关于“理想与现实”主题的影片,不如说是一部人与人之间难以理解、沟通、宽容却又仍要理解、沟通、宽容的影片。从情感的角度来看,还是哈代说的那句话:呼唤人的和被呼唤的,很少能够相互应答。 Following the “Peacock” Gu Changwei second independent director of the film “Rising Spring” came out, the film highlights a lonely and tangled medium and small cities alternative, because of the music, art, dance and other art loves, always think Outstanding, so defeated, defeated, the outcome is the overwhelming majority return to the commonplace. This is not so much a film about the theme of “Ideal and Reality,” but rather a film that is difficult to understand, communicate, tolerant and yet still to understand, communicate and tolerate. From an emotional point of view, it is still Hardy’s remark: selves and calls are seldom able to respond to each other.