一般观众看戏从不关心高潮,就象海燕不在乎乌云四起的天空变化一样。他们爱的是惊涛骇浪,一浪高似一浪。看戏时他们哭了,他们笑了,受到感染,得到教育,“好戏!好戏!”至于高潮是什么?出现在哪里?往往想也不去想它。可是写戏的人,在布局上,心里想的,眼里望的,却正是这个航标:高潮。布局上?那它显然是情节的产物了? 情节的产物没有什么不光采,戏剧创作 The average audience watching the show never care about the climax, just as the Swallow does not care about the same sky clouds change. What they love is a stormy sea. They cry when they see the movie, they laugh, get infected, get educated, “good show! Good show!” As for the climax? Where do they appear? Never think about it. However, people writing in the layout, the thought of my heart, eyes, but it is this beacon: orgasm. The layout? That is obviously the product of the plot? The product of the plot is not nothing, drama creation