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莒文化是齐鲁文化的先声和前导,是中华多元文化体系中深具特色的重要地域文化之一。本组文章对莒文化从多视角进行了较深入的探讨。尹盛平的《莒文化源远流长》一文认为莒文化的直接源头是大汶口文化,在其后发展中与龙山文化、商文化都有密切的关系,认真发掘和研究莒文化,不仅对于认识中华民族大家庭历史、文化的发展史有益,而且对于中华民族的振兴也具有重要的意义。孙敬明《从莒地出土两周十四国金文看莒文化的交流与影响》一文介绍了莒文化区域内出土齐、鲁、诸、莱、郈、曹、陈、徐、吴、越、樊、黄、邛、楚等十四国(族)之有铭铜器,这对探索莒文化交流与影响大有裨益。蔡运章《大汶口陶罍文字及其相关问题》一文认为目前所释大汶口陶罍文字应是大汶口先民祭祀天神时“制器尚象”习俗的产物,可名之为物象文字,这种神秘文字的发现和深入研究,对探讨中国文字起源和形成等问题,都具有重要意义。
莒 Culture is the forerunner and leading factor of Qilu culture and one of the most important and important regional cultures in China’s multicultural system. This essay has a more in-depth discussion of 莒 culture from multiple perspectives. Yin Sheng-ping’s “long history of culture,” a text that the direct source of culture is Dawenkou culture, in the subsequent development and the Longshan culture, business culture is closely related to earnestly explore and study Yan culture, not only for understanding the Chinese nation The history of family history and culture is beneficial, and it is also of great significance to the rejuvenation of the Chinese nation. The article entitled “Exchanges and Implications of Culture, Culture, Culture, Culture, Culture, and Culture” Fan, Huang, Wei, Chu and other 14 countries (ethnic) Ming Ming bronze, which explore the cultural exchange and influence of great benefit. Cai Yunzhang “Dawenkou Tao 罍 text and related issues,” a text that the text of the release of Dawnkou Tao 罍 should be Dawenkoukou ancestors when the sacrificial god “product is still like” custom product, named The object text, the discovery and further study of this mysterious text are of great significance to the discussion of the origins and formation of Chinese characters.