论文部分内容阅读
对于人类而言,地球引力,使生命的举手投足和生存的内在感受有了轻重之别。我认为这一事实,可以成为我们理解油画家何汶(?)创作的系列作品《水》的艺术含义的基本框架。当然,这并不是说,作为艺术家的何汶(?)画了十几年的《水》就是为了去证明苹果从树上掉下来所包含的科学规律,从根本上说,何汶(?)是为了通过描绘水中游泳的人,也即描绘借助水的浮力而处在失重状态的身体,以表达基于引力而生的物理重量、生理和心理压力的体验与当代社会之间的联系。换句话说,何汶(?)意欲表达的是失重、漂浮、随波逐流的身体在当代社会中抵抗、补偿、逃避、疏离和消解来自生命和社会重压的多重意义。所以,在我看来,何汶(?)的《水》既是对上世纪九十年代以来中国社会大多数人的生存状态的一种反映,也是对这种生存状态所包含的意味的一种评价。
For mankind, the gravitational pull of the earth has made the distinction between the gestures of life and the inner feelings of existence. In my opinion, this fact can become a basic framework for us to understand the artistic meaning of “Water”, a series of works by oil painter He Wen (?). Of course, this is not to say that He Wen (?), An artist, drew a dozen years of “water” just to prove the science contained in the apple falling from the tree. Fundamentally, Is intended to express the connection between the experience of gravity and physical and psychological stress based on gravity and the contemporary society by depicting the person swimming in the water, that is, the body in weightlessness by the buoyancy of water. In other words, what He Wen (?) Intends to express is the multiple meanings of resistance, reparation, evasion, alienation and resolution of weightlessness, floating and drift-driven bodies in contemporary society from life and social pressures. Therefore, it seems to me that “water” by He Wen (?) Is not only a reflection of the living conditions of the majority of Chinese society since the 1990s but also a kind of implication of such living conditions Evaluation.