“以少总多”说以其深刻的思维赋予中国文论以理论深度，又因诗性智慧的有力驱动，使中国文论凸现了具象思维的光辉。诗性智慧运思方式凭借“象语”作为手段，使“以少总多”说的理论肌质愈益丰满，也使文论模式的构建成为可能，于此催生出发达的诗性式操作智慧，为中国文论的实际批评提供了有力的武器。“比兴”作为一种批评模式属于尚象维度，其特点是由象语语义容量的充盈支撑起丰富的诗意空间，而对其进行本质规定的正是“以少总多”式的运思方式，使其深契于尚象传统和批评实践，再经由历史的流变，终而成为中国诗学的“元话语”。 With “less total, more” that it can give theoretical depth to Chinese literary theory with its profound thinking, and because of the powerful drive of poetic wisdom, Chinese literary theory highlights the shining of concrete thinking. The way of thinking and thinking of poetic wisdom relies on “image language” as a means to make the theory of “less total and more” theory more plump, and also makes the construction of the theory of literary theory possible, which has given birth to the developed poetic operational wisdom, Provided a powerful weapon for the actual criticism of Chinese literary theory. As a criticism model, Beixing belongs to the dimension of as-yet, which is characterized by the abundance of poetic space supported by the filling of the semantic capacity of the image language, and the essence of which is defined as “less total and more” , Making it deeply sublimated in the tradition and criticism practice, and finally through the historical change, eventually became the “meta-discourse” of Chinese poetics.