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通过与《爱人的怨诉》的对比,论文以文本解读的定性分析为主,辅以Wordsmith 6.0和Readability Analyser的定量分析,发现《J·阿尔弗莱德·普鲁弗洛克的情歌》通过固定搭配的颠覆、人称代词指称意义的模糊化、意识主导的流动时空和碎片化的叙事手段,建构了以“I”为核心的漩涡似的叙事身份,开启了现代主义诗歌模糊、多元和流动的叙事视角。而这种叙事视角的建立,既体现了现代主义诗歌主题的复杂性,也为读者提供了解读的多种可能性,为现代主义文学作品的发展和后现代主义的衍生奠定了基础。
Through the comparison with “Love and Complaint”, the dissertation focuses on the qualitative analysis of text interpretation, supplemented by the quantitative analysis of Wordsmith 6.0 and Readability Analyzer, and finds that the love song of J. Alfred Prufrock is fixed Collocation subversion, obfuscation of personal pronouns, ambiguous flow-space-time and fragmented narrative means of consciousness, constructed a vortex-like narrative identity with “I ” as the core, opened the vague, pluralistic Flowing narrative perspective. The establishment of such a narrative perspective embodies not only the complexity of the theme of modernist poetry but also the possibility of interpretation for readers, laying the foundation for the development of modernist literary works and the derivation of post-modernism.