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白朗是东北作家群中的重要成员之一。她在伪满洲国建立初期由哈尔滨报坛步入文坛,是《大同报》副刊《夜哨》的主要撰稿者,也是《国际协报》副刊《文艺》、《国际公园》的主编。白朗在这两份报纸上的文学成就让同代乃至后继作家念念不忘,梁山丁曾将她与萧红并称为“东北女作家中的拓荒者”。本文集中关注白朗在伪满洲国时期的文学活动,首先呈现她在这一时期参加革命文艺运动的情况,这是她展开文学活动的背景;其次,依次分析白朗在《大同报》以及《国际协报》副刊上的文学创作和编辑活动,由此展现其作为“拓荒者”初登文坛时的全貌和独具个性的创作特色。透过白朗我们亦得以窥探到伪满洲国初期集结于报纸副刊上的抵抗文学的状貌。
Bai Lang is one of the important members of the northeast writer group. Her entry into the literary arena from the newspaper forum in Harbin in the early days of the puppet Manchuria was the main contributor to the Night Whistle, the supplement to Datong Pao, and the editor-in-chief of Literature and Art International Tribune and International Supplement. Bai Lang’s literary accomplishments in these two newspapers kept the writers of the same generation and even succeeding in his memory. Liang Shan-ding once described her and Xiao Hong as “the pioneers in the writings of northeastern women’s writers.” This article focuses on Bai Lang’s literary activities in the period of the puppet Manchukuo, first presenting her participation in the revolutionary literary movement during this period, which is the background of her literary activities. Secondly, International Symposium “supplement on literary creation and editing activities, thus showing its as” pioneer "debut literary world when the whole picture and unique personality creation features. Through Bai Lang we can also spy on the appearance of the resistance literature assembled in the newspaper supplement in the early days of the puppet Manchukuo.