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作为中国传统绘画形式,工笔人物画主要是以人物为表现对象,以工整细密的笔法来描绘形象的一种历史悠久的画种。而对女性形象的塑造则一直是工笔画作品中的重点,作为时代特点的反映和既定文化的历史缩影,工笔人物画作品中女性形象特征随着时代的变化呈现出不同的风格形式。本文就工笔人物画中女性形象在历史的长河中的发展情况展开具体论述,通过对特定时期的代表作品的探究分析,产生结论,即随着时代的不断发展,女性形象的差异点及其产生的原因。全文共三章,第一章简述工笔人物作品中的女性形象的起源和鼎盛时期,以此分析中国女性题材的工笔人物画的发展概况,第二章通过对不同时期的作品的分析,进行对比,总结产生差异的原因,最后一章结语,通过对该题材的探究,阐述其意义,即笔墨当随时代,深入研究女性题材的工笔人物画是有有必要的。
As a traditional Chinese painting form, the sketchbook figure painting is mainly a portrait with a long history of portraying objects with characters as a neat and detailed brushwork. The shaping of female images has always been the focus of the works of fine brushwork. As a reflection of the characteristics of the times and the epitome of the established culture, the female image features of the fine brushwork paintings present different styles with the changes of the times. This article elaborates the development of the female image in the history of the humanoid painting, and through the analysis and analysis of the representative works of a specific period, it concludes that with the continuous development of the times, the differences of the female images and their production s reason. The full text is divided into three chapters. The first chapter is an introduction to the origin and the heyday of the female images in the works of the fine brushstrokes, so as to analyze the development of the fine brushwork figures in Chinese women’s themes. The second chapter analyzes the works of different periods In the last chapter, we conclude the meaning of the subject through the exploration of the subject, that is, it is necessary for the pen and ink to study the female figure’s meticulous portrait painting with the times in depth.