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王家卫,一位向世界影坛贡献了众多华语圈优秀作品的杰出电影导演,其迄今为止的作品已经凭借着个性化的视觉影像、后现代化的表述方式和对都市人迷茫气质的敏锐把握成功地建构了“王家卫式”的电影美学。本文以王家卫的经典影片《花样年华》、《重庆森林》为研究对象,从人物的形象美、修饰美、人格美入手,分析其作品所蕴涵的社会美;从影片独特的叙事表现手法,看似凌乱的时空表现,光怪陆离的电影色调以及对都市人群迷茫气质的把握以及细腻情感的描绘,深入探究王家卫作品中蕴涵的浓厚艺术美感。
Wong Kar-Wai, an outstanding film director who has contributed many excellent Chinese-language films to the world’s cinema, has so far been able to rely on personalized visual images, postmodern expressions and acumen of urban confusion Constructed the “avant-garde style” of film aesthetics. This article takes Wang Jiawei’s classic films “The Mood for Love” and “Chongqing Forest” as the objects of study. Starting from the characters’ beauty of image, grooming and personality, this article analyzes the social beauty implied in his works. From the unique narrative techniques of the films Like messy time and space performance, bizarre movie colors and grasping of the confused temperament of the urban population as well as the detailed emotional depiction, in-depth exploration of the rich artistic beauty implied in the works of Wang Jiawei.