亚里士多德《诗学》中的悲剧理论对后世作家的创作影响深远,即使是两千年之后的莎士比亚的戏剧创作,同样可以看到悲剧理论的诸多影子。同时随着文学艺术发展的进步以及历史的变迁,莎士比亚站在巨人的肩膀上,其悲剧创作也有了一定的创新。本文试从悲剧人物、悲剧情节、悲剧效果三个方面来阐述莎士比亚对亚里士多德悲剧理论的继承与创新。 The theory of tragedy in Aristotle’s Poetics has a far-reaching impact on later writers’ creation. Even Shakespeare’s dramatic creation two thousand years later can see the shadow of tragedy theory. At the same time, with the development of literature and art and the change of history, Shakespeare stood on the shoulders of giants, and his tragedies also made some innovations. This article tries to explain Shakespeare’s inheritance and innovation of Aristotle’s tragedy theory from three aspects: tragedy, tragedy and tragedy.