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艺术学理论学科诞生于现代人文社会科学复杂的科际关联中,具有特定的语境渊源。其不但在与社会文化思潮互动中呈现出学科范式历时性转换的运行轨迹,而且在学科性上还带有跨门类艺术和门类艺术学的综合性特征,以及跨文化体系和跨相邻学科的特点。跨学科性既为艺术学理论提供了丰富的学术资源,又为其学科发展设置了诸多障碍,造成了艺术学理论学科的现实困境。艺术学理论迫切需要厘清与美学、门类艺术学、文艺学等亲缘学科的学科界限,亦要解决人文社会科学方法和理论向艺术本体肆意“移植”和“入侵”造成的学科本性弱化之难题,同时它还要应对原有学科格局下传统学科势力的排斥和化解科学共同体难产的尴尬。
The theory of art theory was born in the complex inter-science relation of modern humanities and social sciences, and has a specific context. Not only does it show the running track of diachronic transition of disciplinary paradigm in the interaction with social and cultural thoughts, but also has comprehensive characteristics of cross-disciplinary art and genre artistry in interdisciplinarity, as well as intercultural systems and interdisciplinary Features. Interdisciplinarity not only provides abundant academic resources for art theory, but also sets many obstacles for the development of its disciplines, resulting in the realistic predicament of art theory. The art theory urgently needs to clarify the disciplinary boundaries of the related disciplines with the aesthetics, the categories of art studies and the literature and art studies, and also solves the academic nature caused by the methods and theories of the humanities and social sciences wantonly “transplanting ” and "invasion Weakening the problem, at the same time it also has to deal with the traditional disciplinary structure of the traditional disciplinary forces of exclusion and resolve the embarrassment of scientific community dystocia.