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即兴伴奏中固定调与首调的关系,是长期困扰我们的一个难题。两种唱名法自身各有优缺点,我们怎么发挥好它们的优点,对于即兴伴奏的学习至关重要用。故我们需熟练掌握两种唱名法,并在实践中灵活转换,找到两者之间最佳的融合点,驾驭两种唱名法的能力的提高是即兴伴奏学习的一个重要任务。
The relationship between the fixed tone and the first tone in an impromptu accompaniment is a difficult problem that has long plagued us. Both types of rallies have their own strengths and weaknesses, and how we play their strengths is crucial to the learning of improvisation. Therefore, we need to be familiar with the two types of sin names and flexibly convert them in practice to find the best fusion point between them. The improvement of the ability to control both types of sin names is an important task for impromptu accompaniment learning.