《写作曲风险》(Dag Risiko des Schreibeins,1956)和《废墟文学之我见》(Bekenntnis zur Tr(u|¨)mmerliteratur,1952)是他早期的作品。前者以幽默的笔调写出了作者对文学创作的独到见解,读来生动活泼,饶有趣味;后者被认为是对“废墟文学”的权威解释,经常被评论家用来诠释战后初期联邦德国的这一重要文学现象。易文 Dag Risiko des Schreibeins (1956) and Bekenntnis zur Tr (u | mmerliteratur, 1952) are his early works. The former wrote in a humorous way the author’s unique viewpoints on literary creation, which are lively and interesting to read. The latter is considered to be the authoritative interpretation of “ruin literature” and is often used by critics to interpret the early postwar period This important literary phenomenon in the Federal Republic of Germany. Yi Wen