文人画是日本江户中期(1603~1867年)最有影响力的绘画流派之一。“文人画”一词是中国绘画史上的重要概念,由于其始现于宋代士大夫阶层,故也称“士大夫画”。而明代董其昌南北分宗传入日本后,江户地区又称文人画为“南画”。江户时期日本文人画的兴起,无疑是日本绘画史上一朵奇葩。而田能村竹田在池太雅与与谢芜村后,接过文人画的笔杆,在勃兴文人画过程中起到了巨大作用。 Literati painting is one of the most influential painting schools in the middle period of Edo (1603 ~ 1867) in Japan. The term “literati painting ” is an important concept in the history of Chinese painting. Because it originated from the literati class in the Song Dynasty, it is also called “literati painting”. In the Ming Dynasty, Dong Qichang was introduced into Japan from the north and south, and the Edo region was also called the “Southern Painting” by scholars. The rise of Japanese literati painting during the Edo period is undoubtedly a wonderful flower in the history of Japanese painting. The Tianeng Takeda in the pool after Tai Chi and Xie Wu Village, took over the literati painting pen, painting in the process of the rise of literary talent played a significant role.