张玉馨不是以女性贯常的细腻灵秀之手去描绘花鸟鱼虫,而是师法自然,以大幅山水作画给人以奇伟壮丽的印象。 张玉馨长年在北方生活,《空谷听泉》是这一时期的记录。作品以重峦峻岭占据画面,构图满到几欲冲出,看似笨拙,却给人以重压之感,是实实在在的气势。当然,这种“满构图”使人联想起“黑墨团里天地宽”的黄宾虹,也由此上溯到北宋范宽,虽运用的非常恬当,但似乎并无新意。此画的新意在于水的处理。传统山水画 Zhang Yu-hsien does not portray flowers, birds and insects as delicate and graceful female gestures. Instead, she is a natural teacher, who draws a magnificent impression of marvelous landscape with dramatic landscape paintings. Zhang Yuxin living in the North for many years, “empty valley to listen to spring” is the record of this period. The works occupy the picture with heavy Luan Junling, the figure is full to the desire to rushed out, seemingly clumsy, but gives the feeling of stress, is a real momentum. Of course, Huang Binhong, reminiscent of the “world wide map of the black ink group”, has also been traced back to Fan Kuan in the Northern Song Dynasty. Although it is very apt to be used, it seems that there is nothing new. The new idea of ​​this painting is water treatment. Traditional landscape painting