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中国漆画的发展经历了半个多世纪艰苦历程,已经有了极大改观,从实验启蒙到学习传统和借鉴国外的移植探索,再到二000年中国美协漆画艺委会成立,可谓朝气蓬勃,但人们对漆画艺术的认识尚需一个过程。在著名美术理论家皮道坚和中国美协漆画艺委会主任蔡克振老师主持的:2006年中国美协漆画艺委会于长春召开关于“中国当代漆画的绘画性”的学术研讨会上,福建王和举老师发言提出:漆画的前途,在于参与其事的艺术家充分掌握漆工艺!此类观点,蔡克振老师在《漆画刍议》中也提
The development of Chinese lacquer has experienced a hard journey of more than half a century and has undergone great changes. From its enlightenment to its learning tradition and from the overseas exploration of transplantation, to the establishment of the China Artists Association’s Lacquer Painting Committee in 2000, it can be described as Vibrant, but people’s understanding of the art of lacquering still need a process. In the famous art theorist Pi Dujian and China Artists Association director Cai Kezhen Latin American Art Association presided over: In 2006 the Chinese Artists Association lacquer painting held in Changchun on “” contemporary Chinese painting lacquer “academic At the seminar, Professor Wang Heju of Fujian made a speech in which he proposed that the future of lacquer painting lies in that the artists involved in the painting fully grasp the lacquer craft! In this view, Cai Kezhen also mentioned in the ”Painting Theory"