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3.起承转合牡丹画作品创作的章法构成,无论是运用开合呼应还是三线交叉,在整体组织上都要形成一个整体的制约。这种整体制约的形式,在章法中称为起承转合。起承转合又称之为起承转结,原为旧体诗文的章法结构术语。在诗文中,“起”是开端,“承”是承接开端并加以申述,“转”是转折而从侧面、反面加以论述,“合”是关合前文而结束。在中国画构图中,“起”是最初的物象摆置,亦即章法构成的开始;“承”是延续和过渡;“转”是变化,以求丰富;“合”则是结束。
3. From the composition of the peony painting works of the composition of the chapter, whether it is the use of opening and closing or three-lane cross, the overall organization should form an overall constraint. This form of overall restraint, referred to in the constitution as a transfiguration. Taken together, also known as the bearing turn, the original structure of the old style of poetry terminology. In poems, “from ” is the beginning, “bearing ” is to undertake the beginning and to make a statement, “turn ” is a turning point from the side and vice versa to be discussed End. In the composition of Chinese painting, “from ” is the initial image of the place, that is, the beginning of the constitution; “bearing ” is the continuation and transition; “” is change in order to enrich; “ ”Is the end.