三条注解现代小说——“故事滑出经验”;现代诗歌——“语言游离主题”。王羲之的笔,真不知道行走在什么空间,神龙仙鸾,不可端倪;赵孟頫的笔,就只行走于纸面,难免单调。王献之书法的一个特点:用笔已经具有后来的楷意。也就是说,中规中矩,不出意外。在想象力方面,他离王羲之远空八只脚。笔法笔法即手法,去落实这手法的常常会具体 Three Annotations of Modern Fiction - “The Story Slips Out of Experience”; Modern Poetry - “Theme of Language Freeness”. Wang Xizhi’s pen, I really do not know what space to walk, Shenlong cents, can not be clues; Zhao Mengfu’s pen, only walking in the paper, it is inevitable monotonous. One of the features of Wang Xianzhi’s calligraphy is that the pen has a later style. In other words, quite satisfactory, no accident. In terms of imagination, he was away from Wang Xizhi eight feet. Stroke method is the trick, to implement this approach will often be specific