论文部分内容阅读
近几年中国纪录片持续增长,纪录片受到国家层面重视,优秀纪录片在社会上一次次引起话题,在多方面利好因素的推动下,纪录片的发展从来没有遇到像今天这样好的机遇。自纪录片诞生以来,它的生存策略一直在不断调整,现在,“互联网+”的大潮来了,新旧媒体融合、博弈,信息传播方式变了,用户收视习惯变了,而纪录片作为一种相对传统的视频形式,需要再次调整策略,以适应新特性下的媒体空间。那么,纪录片从业者该如何在视频资源丰富、多元且容易获得的新媒体环境下创作纪录片呢?本文以纪录片《乌镇》为例,对新生态下地方频道纪录片的时新气质进行论述。
In recent years, the number of documentaries in China has continued to grow. Documentary has been valued at the national level. Outstanding documentaries have caused a great deal of talk in the society. With the promotion of many positive factors, the development of documentary films has never encountered such good opportunities as today. Since the birth of the documentary, its survival strategy has been constantly adjusted. Now, the tide of “Internet +” comes. The integration of old and new media, the change of game and information transmission mode, the change of user’s viewing habits, and the documentary as a Relative to the traditional video format, you need to adjust the strategy again to adapt to the new features under the media space. How, then, should documentary practitioners create documentaries under the new media environment rich in video resources, diversity and accessibility? In this paper, the documentary “Wuzhen” is taken as an example to discuss the new temperament of local channel documentaries under the new ecology.