敬庭尧以自己的方式丰富了中国画的肌理,扩大了笔墨的语言表现力。在绘画中,肌理指的是媒材通过工具或其他技巧作用于载体表现形式的独特效果,它是视觉艺术语言中最能发挥物质材料性能的方面。中国古代画家不使用这一术语,但早已注意到纸绢上笔墨肌理之美,笪重光曾指出,以湿笔运墨者,“墨之倾泼势等崩山,墨之沉凝色同碎锦”;而用干笔皴擦者,“皴之缜密,明如屋漏,而隐若纱笼”。进入改革开放的新时期以来,画家们开始放眼世界,取法借鉴,引进西方的肌理意识和制作方法成了不少中国画家求新求变的一种努力。不过,有些人把肌理与笔墨割裂开来,以西式肌理的制作性代替了传统笔墨的书写性,用毛笔以外的工具及水墨以外的添加剂,去开发新异的画面肌理。结果是新的肌理出现了,却脱离了传统的笔墨语言,失去了公认的中国画特色,在是否仍可视为中国画上引起争议。另一些画家则深信传统笔画的自足性,基本拒绝引进新的媒材,反对一切非书写的制作手段,结果又导致了中国画艺术语言的守成多于突破。 In his own way, Jing-ying Yao enriched the texture of Chinese painting and expanded the expressive power of ink and brush. In painting, texture refers to the unique effect of media acting on a manifestation of a vehicle through tools or other techniques, and is one aspect of the visual arts language that best serves the material properties of the material. Ancient Chinese painters do not use this term, but long ago they noticed the beauty of the texture of the pen and ink on paper, and they pointed out that in order to transport ink by wet pen, “; And wipe with dry pen, ” 皴 of meticulous, as if the house leaks, while the hidden yarn cage. " Since entering the new period of reform and opening up, the painters have started to look at the world, learn from the law, and introduce the Western sense of the arts and methods of making them into an effort by many Chinese painters to make new changes. However, some people cut apart the texture and the brushwork to replace the writing ability of the traditional ink and paper with the making of the Western texture, and use tools other than the brush and additives other than ink and wash to develop a new and different picture texture. As a result, a new texture emerges, but it departs from the traditional language of brush and calligraphy, loses its well-established Chinese characteristics and can cause controversy as to whether it can still be regarded as a Chinese painting. Others are convinced of the self-sufficiency of traditional strokes and basically refuse to introduce new media and oppose all non-writing means of production. As a result, the Chinese language of painting art has been more conservative than the breakthrough.