当代艺术批评已经不只是一个形式语言的问题,而涉及到一个与形式相关的更大的心灵和精神背景的上下文关系。一件优秀的作品,由其形式语言来架构内在的关联,就中国画而言,有它自身的笔墨造像法则和语言系统,但其技法元素,从来都不是孤立的,它的视觉效应来源于一种总体上的语法关联和碰撞,并且由此连接到一种语意表达的情境之中。人们靠瞬间的视觉触动心灵,感受或体验它的精神深度,所以这种心灵触动的程度也就成了我们判断艺术的一种途径。花俊是一位能够自由驾驭并将视觉语 Contemporary art criticism is no longer just a matter of formal language, but involves a contextual relationship with a larger spiritual and spiritual context of form. An excellent work, whose internal relations are framed by its formal language, has its own brushwork statues and linguistic systems in terms of Chinese painting. However, its technical elements are never isolated and its visual effects come from a The overall grammatical associations and collisions are thus connected to a semantic context. People rely on the instantaneous vision to touch the mind, feel or experience its spiritual depth, so the extent of this soul touching also becomes our way of judging art. Hua Jun is a person able to freely control and visual language