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本文由两篇互相独立又相互关联的段落组成。前一段较短的文章是引导性的,认为现代舞和当代物的区别是一个艺术史的问题,两者的区分不是由风格决定的,也不是绝对的。后一段较长的文章通过分析“看懂”和“抽象”两个概念,主要解释了说现代舞抽象难懂是没有理论依据的;这种说法的广泛存在同人们的心态有关。运用概念分析的方法来澄清艺术理论问题也是本文的要旨之一。
This article consists of two independent and interrelated paragraphs. The short articles of the previous period were introductory, arguing that the difference between modern dance and contemporary art was a matter of art history, and that the distinction between the two was neither style nor absolute. After a long period of analysis of the two articles “interpretation” and “abstract” two concepts, mainly explained that modern dance absurdity is no theoretical basis; the widespread existence of such a statement with people’s mentality. The use of conceptual analysis to clarify the art theory is also one of the main thrust of this article.