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摄影题材林林总总,拍摄起来大多较为自由、轻松,且自选性和随意性较强,欣赏这些作品往往是一种艺术的陶冶和审美的享受,这也许就是摄影创作和欣赏的一般状态和感受。然而,当姚勇拍摄的十几幅消防题材的摄影作品出现在我眼前时,此种感受便荡然无存了。照片所显现的是熊熊烈火、滚滚浓烟;披挂上阵的消防战士那满脸的污痕、汗水和急迫、果敢的眼神;火场就是战场,火光与战士的身影交相辉映,这是血与火的战斗,是生与死的争夺,画面中的真情实景钳制住了我的视线,原本松驰的神经一下紧绷起来,热血随着冲天的火焰而沸腾,心脏伴着战士闪现的身影而跳动,与其说是在观赏照片,倒不如说是在感受一次血与火的洗礼。面对如此使人激动的照片,如果依照摄影传统的审美眼光来解读它,那语言可能是无力的。
There are a lot of photography subjects, most of which are free and easy to photograph. The autonomy and arbitrariness of these works are often the art and aesthetic enjoyment of these works. This may be the general state and feeling of photography creation and appreciation. However, when Yao Yong shot more than a dozen firefighting subjects photography appeared in front of me, this feeling vanished. Photo shows the raging fire, billowing smoke; wearing firefighters battle array that faces the stains, sweat and urgency, courageous eyes; the fire is the battlefield, flames and warriors pavilions, this is the battle of blood and fire, Is a battle of life and death, the picture of the real situation clamp my eyes, the original slack nerves about tense, blood with boiling flames and boiling, the heart with the soldiers flashed the figure beating, not so much Is to watch photos, might as well be feeling a blood and fire baptism. Faced with such an exciting picture, the language may be powerless to interpret it in the traditional aesthetic perspective of photography.