最近看了我省的两个剧本,一个是李杰同志的《高粱红了》,一个是张福先、张惠文同志的《月难圆》。这两个剧本塑造了郑毅军、杏梅两个有血有肉的闪耀着时代光彩的农村社会主义新人形象,读来十分亲切感人。这两个新人形象,既不同于土改时期的赵玉林、郭全海,又不同于合作化时期的梁生宝、高占武和李双双,他们是经过“十年动乱”考验后成长起来的,是新时代前进的探索者和创业者,他们活动的历史舞台和面临着的问题,以及他们所思考和致力于解决的社会矛盾,远比五、六十年代要广阔和复杂得多,他 Recently, I read two scripts from our province. One is Comrade Li Jie’s “Sorghum Red” and the other is Comrade Zhang Fuxian and Comrade Zhang Huawen’s “Round Moon.” These two scripts shaped the images of two new socialist rural people who shone with glittering age with Zheng Yijun and Xing Mei, who read very cordially. These two newcomers are both different from Zhao Yulin and Guo Quanhai during the period of land reform and as distinguished from Liang Shengbao, Gao Zhanwu and Li Shuangshuang during the period of co-operation. These two newcomers grew up after the test of “ten years turmoil” and are an exploration of advancing the new era And entrepreneurs, the historical stage and problems they face in their activities and the social conflicts they think about and are committed to solve are much broader and more complex than the 1950s and 1960s.