《画刊》:几年前,你写过一篇文章谈为何画猫(《我为什么画猫》)。文中谈了三个原因,我读后的理解,它们分别是童年与猫相处的身体记忆、对自家猫违背“猫性”的深刻印象以及关于猫的各种政治与社会性的联想。有意思的是:这些原因正好对应感官记忆和文化观念的不同维度,于是画“猫”的复杂性和你“身份”的跨界就有了更紧密的关系。对你来说,我的看法算不算“过度阐释”? “Pictorial”: A few years ago, you wrote an article about cats (Why do I draw cats?). The article talked about three reasons, I read after the understanding that they are childhood and cats along the body memory, on their own cats to violate “cat sex ” of the deep impression and on the cat’s various political and social association. What is interesting is that these reasons correspond exactly to the different dimensions of sensory memory and cultural values, so the complexity of painting “cats” is more closely related to the cross-border of your “identity.” For me, my opinion is not “over-interpretation”?