因为我自小就喜欢立体的东西,做手枪、坦克(假的)、照像机。做到极细部位时,心里会发慌,手和心连在一起。 手又和材料连在一起,所以我喜欢塑造感的东西,也喜欢材料。土是普通不过的材料,加瓢水揉揉,成了泥,风干后放进火里一烧,就成了又硬又碎的陶,特别是透过火炉的那个窗,看它煅烧的过程,真是有趣。造物主给我们这么多材料,金、木、水、火、土任我们选用。欧洲雕塑家组织之间有一种现象。用材料来划分艺术家和组织。比如搞石雕和木雕的分得比较清楚。当然材料因为自身语言的特性,自有他们不同的艺术震撼力,但是如果把材料独立开进行研究。我认为是背了造物主的意愿。我在欧洲留学期间目睹这些组织和艺术家为此的分歧,引起我的思考。 Because I like childhood three-dimensional thing, do pistol, tank (fake), camera. Do fine parts, the heart will be flustered, hands and hearts together. Hands and materials together, so I like to create a sense of things, but also like materials. Soil is an ordinary material, rubbed with scoop water, into a mud, dried into the fire after a burning, it became hard and broken pottery, especially through the stove that window to see the process of calcination Really interesting. Creator gives us so much material, gold, wood, water, fire, earth as our choice. There is a phenomenon between European sculptor organizations. Use materials to divide artists and organizations. Such as engaging in the division of stone and wood carving more clearly. Of course, because of their language characteristics, materials have their own unique artistic power, but if the materials are independently researched. I think it is the will of the Creator. When I was studying in Europe, I witnessed the disagreements between these organizations and artists in this regard and aroused my thoughts.