在中国古代帝王们的眼中,文艺是实施教化的重要工具。因此,宫廷成为古代绘画创作的重要赞助机构,一方面推动了绘画艺术的发展,更重要的是对于在艺术领域树立正统标杆、掌握话语权、彰显本朝的“意识形态”等方面都起到了重要的作用。两汉滥觞从开始有宫廷起,统治者对绘画的需求就已经存在了。远溯到商周之时,《尚书》中记载商高宗武丁有宏图大志,日思夜想有良臣来辅佐,结果有天晚上真的梦见了。醒来后,武丁就让百工将梦中的形象画出来,最后在傅岩找到了正在那里筑墙的奴隶傅说。后来,傅说当了宰相,造就了“武丁中兴”的盛世。商纣造鹿台的时候,既建造了酒池肉林,也装饰了“宫墙文画”。画工在周朝被称为画缋之工,他们担负宫廷壁画、青铜器的刻画,以及服饰、旗帜上的图案绘制。不过,此时 In the eyes of ancient Chinese emperors, literature and art are important tools for implementing enlightenment. Therefore, the court has become an important sponsor of ancient painting creation, on the one hand, it has promoted the development of painting art, and more importantly, it has played an important role in establishing orthodox standards in art field, holding the power of discourse and highlighting the “ideology” of the present Played an important role. Beginning of the Han Dynasty From the beginning of the court, the demand of the rulers for painting has existed. As far back as the Shang and Zhou Dynasties, “Shang Shu” recorded in business Gaozong Wu Ding ambitious vision, day and night want to have good minister to help, the result one night really dream. After waking up, Wu Ding let the hundred workers to draw the image of the dream, finally found in Fu Yan is building a wall where the slave Fu said. Later, Fu said that when the prime minister, created “Wuding ZTE ” prosperity. Business 纣 made deer Taiwan, not only built a wine pool meat forest, also decorated “palace wall painting ”. Painters in the Zhou dynasty were called painters, they bear court murals, portraits of bronze, as well as costumes, banners on the pattern drawing. However, at this time