明末清初黄向坚的绘画本以摹古为主,但是在经历了千里寻亲的事件之后,画风骤变。寻亲途中的各种坎坷和奇遇以及所历经的险恶山川,成为了他之后绘画创作所描绘和记录的重要内容,这种记录是内心的再现,寄托着对父母最真切的感情。黄向坚的绘画,既是对山川自然的一种再现,又是充满了个人情感的内化了的一种寄托。他的山水画变革过程,可看成是山水画创作从开始到形成个人风格的一个很好的例证。 The paintings of Huang Xiangjian in the late Ming and early Qing dynasties were mainly in the form of M, but after a thousand miles of betrothal, the style of painting changed dramatically. The various ups and downs of adventures on the huntress and the vicious mountains he experienced have become the important contents depicted and recorded by his later paintings. This record is the reproduction of the heart and the most true feelings for the parents. Huang Xiangjian’s paintings are both a reappearance of nature in the mountains and mountains and a kind of internalization full of personal feelings. His landscape painting process of change can be seen as a good example of landscape painting from the beginning to the formation of personal style.