王士祯初入仕任扬州推官,在扬州一共待了五年,这五年是他一生文学创作的黄金时期和顶峰阶段,也是他风格充分展开的时期。在此期间,他写下的诗歌数量最多,占据其一生创作总体的五分之一,其中山水诗占了此间总量的三分之一,是诗人最具特色的作品,可以说代表了神韵诗的最高成就。因此,对其扬州期间的山水诗予以单独研究,对全面把握这位清初大诗人,公允地理解其诗歌的审美特征,势必是有益的。本文试图从朦胧、神秘、明朗、超然四个角度解读王士祯扬州期间山水诗的审美意蕴。 Wang Shizhen started his official career in Yangzhou, and spent a total of five years in Yangzhou. During these five years, he was the prime and peak stage of his literary creation. It was also a time when his style was fully developed. During this period, he wrote the largest number of poems, accounting for one-fifth of his life creation, of which the landscape poetry accounted for a third of the total, is the poet’s most unique work, can be said to represent the charm The highest achievement of poetry. Therefore, it is beneficial to study alone the landscape poems of Yangzhou during the Qing Dynasty, to fully grasp the great poet in the early Qing Dynasty and to understand the aesthetic characteristics of his poems fairly. This article attempts to interpret the aesthetic connotation of Wang Shi-zhen’s landscape poems during the Yangzhou period from the perspectives of obscure, mysterious, clear and aloof.