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某日,某京剧团老乙和小丙正在屋内鸣琴吊嗓,甲先生推门而入。甲:伙计们,该歇会儿了。上次我给你们带来的材料,看了没有?有什么观感?丙:我看了一遍,还有点糊里糊涂。乙:我看“危机”论又升级了,叫做“戏曲消亡”。甲:这是代表一部分人的舆论,他们对目前戏曲不景气的现象诊断为:大数已尽,不可救药,任何使其“振兴”的努力都是枉费心机,戏曲不消亡不足以证明时代的进步。
One day, a Peking Opera Troupe B and Xiao Bing is pounding his throat in the house. A: Guys, it’s time to rest. Last time I brought you the materials, did I not see? What is the impression? C: I read it again, and I was confused and confused. B: I think the “crisis” theory has escalated again and is called “the drama’s demise.” A: This is a piece of media that represents a part of the people. They diagnose the current sluggish opera scene as having done a great number of things and can not be rescued. Any effort to rejuvenate them is a waste of effort, and drama is not enough to prove the times improvement.