郭沫若在文学创作上存在着很大的不平衡性。诗集《女神》和抗战六部历史剧是他文学创作上的两个高峰,而解放后所写的作品却无人喝彩。这种不平衡现象的出现,是其“为艺术”与“为政治”矛盾主张在郭沫若身上的具体体现。探讨此矛盾现象,有利于客观分析郭沫若的作品和更好地理解中国现当代文学。 Guo Moruo in literature creation there is a great imbalance. The “goddess” of poetry and the six historical plays of the Anti-Japanese War are two peaks in his literary creation, but the works written after the liberation are unpopular. The emergence of this imbalance is a concrete manifestation of Guo Moruo’s claim of “art” and “politics” contradictions. To explore this contradiction is conducive to an objective analysis of Guo Moruo’s works and a better understanding of Chinese modern and contemporary literature.