在《中国思想传统的现代诠释》一书中,余英时对清代思想史提出了一个新的解释,即中国思想史的演进存在着一种“内在理路”。如果套用这种研究的新范式来看中国的近现代绘画史,似乎其中并不存在一条相似的“内在理路”。相反,中国近现代绘画传统的流变一直是受到外力的影响,也就是说,基本上是外部因素决定的,比如说西方绘画观念的冲击,新政权确立后意识形态的决定性影响,政治功利主义的发现与迎合,以及官方、学院体制对其他绘画样式的压制等等。所以说,中 In his book “Modern Annotation of Chinese Ideological Tradition,” Yu Yingshi put forward a new explanation for the history of thoughts in the Qing Dynasty. That is, there is an “inner logic” in the evolution of Chinese intellectual history. If we apply the new paradigm of this kind of research to the history of modern Chinese painting, it seems that there is no similar “internal logic ”. On the contrary, the traditional Chinese rhetoric of painting has always been influenced by external forces, that is, it is basically determined by external factors, such as the impact of Western painting concepts, the decisive influence of ideology after the establishment of the new regime, and political utilitarianism The discovery and cater to, as well as the official, college system to suppress other painting styles and so on. So, in