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由徐建融《“扬州八怪”批判》引发的争论,是近20年扬州八怪研究中最值得引起重视的争论。归纳起来,这些争论和分歧主要集中在扬州八怪成员的人品、画品、绘画商品化、师承、在中国绘画史上的地位几方面。
The controversy triggered by Xu Jianrong’s “Yangzhou Baji ” Criticism "is the most worthy argument in the study of Eight Eccentrics in Yangzhou over the past 20 years. To sum up, these debates and disagreements mainly focus on the aspects of the character, the paintings, the commercialization of paintings, the bearing of teachers and the status of Chinese painting in the members of the Eight Eccentrics in Yangzhou.