在《红轿》的创作过程中,我去过汪山土库三次,不是去挖掘史料,搜集素材,因为这个故事纯属虚构,而是为了去感受一下百年老宅的气氛,想象在那里曾经发生过剧中讲述的故事,我愿意相信就在那样的地方发生过如此悲壮动人的故事。深宅大院、轿夫、小姐、深仇大恨、民族危亡,加一顶红轿子,这些元素想想都觉得有戏,但要巧妙地把这些元素组织结构起来,也颇费心思,几番权衡,最后决定用轿子这一核心道 In the process of creating Hongjian, I went to Wangsusan three times, not digging historical materials and collecting material, because the story is purely fictional, but in order to feel the atmosphere of a hundred years old house and imagine where once There have been story told in the play, I would like to believe in such a place where such a tragic story. The deep courtyard, bearers, ladies, deep hatred, national danger, plus a red chair, these elements think think all play, but to subtly organize these elements together, but also a lot of thought, several trade-offs, and finally decided to use the sedan chair This core road